MorDance presents its Spring 2023 Season with groundbreaking new ballets centering themes of activism and humanity from April 28-29, 2023 at Gerald W. Lynch Theater, 524 W 59th St., NYC. Tickets are $30 for adults, and $20 for students and seniors. For more information and to purchase tickets, visit here.

Celebrating the company’s tenth anniversary performance season, the program’s collaborations are committed to dancemaking that embodies artistic excellence while promoting civic engagement and social awareness. Choreographer Morgan McEwen will be joined by composer Polina Nazaykinskaya to create a new work inspired by Emily Dickinson’s poem They Shut Me Up In Prose with live accompaniment by Konstantin Soukhovetski and Jesus Rodolfo. An additional partnership with composer Josh Knowles is influenced by visual artist Chris Jordan’s film Albatross. The much-anticipated revival of McEwen’s 2018 ballet Stabat Mater will round out this triple bill. 


Work 1: The first ballet will take flight from Chris Jordan’s critically acclaimed documentary, Albatross, which powerfully depicts a vulnerable albatross population incurring the impact of mass consumption, global industry, and human unconsciousness. “I look to articulate this challenging narrative through horeography of avian movement and breathtaking wingspans,” said choreographer Morgan McEwen. “I collaborated with composer and experimental violinist Josh Knowles on a spacious arrangement that expresses both soaring heights and the ominous weight of dire circumstances. Josh composed and recorded this piece on a single violin looped and layered through multiple distortion pedals.”

Work 2: Inspired by Emily Dickinson’s transcendent and radically outspoken poem of the same title, the second ballet They Shut Me Up In Prose will likewise evoke a young woman overcoming sexism in an overwhelmingly patriarchal society. The choreography will blend a classical ballet vernacular with contemporary movement. Appropriately, Polina Nazaykinskaya will create a contemporary score to be played on classical instruments. Polina’s unique experience as an internationally renowned composer and a woman will bring extraordinary artistry and meaningful perspective to the themes portrayed.

About the Artists

Morgan McEwen (Choreographer), a New York City native, is the founder, artistic director, and choreographer of MorDance, a trailblazing dance company celebrated for creating original collaborative works that push the boundaries of classical ballet. Through her extensive career as a professional ballet dancer at the Richmond Ballet, BalletMet, and the Metropolitan Opera, McEwen discovered she had limited opportunities to pursue her passion as a female choreographer. Driven to create a positive work environment that champions exploration and opportunity for all, Morgan is committed to empowering a strong roster of female creatives to elevate the experience of ballet for the modern age, both from an artist and audience perspective. McEwen has been heralded by The New York Times as having, “an eye for shaping the arc of a dance as carefully as the transitions and details within it,” Morgan has presented works on stages throughout New York City, including Baryshnikov Arts Center, Aaron Davis Hall, and Symphony Space. She received a CUNY Dance Initiative Residency and Kaatsbaan Upstream Residency in 2018. Ms McEwen’s work was selected to be performed at Battery Dance Festival in 2021. She has recently been granted a residency on Martha’s Vineyard through the Vineyard Arts Project. Additionally, she will be working with BalletX to generate new work during a choreographic incubator in 2023.

The music of an award-winning composer Polina Nazaykinskaya has become a staple of orchestral, chamber and solo repertory in the United States, Russia, and Europe. Her first symphonic poem “Winter Bells” is in high demand every season by orchestras such as The Minnesota Orchestra and The Russian National Orchestra among others. Her latest symphonic poem “Fenix”, premiered by The Albany Symphony is programmed for multiple performances in the 2021-2022 concert season. This season Polina`s music will be performed by The Eastern Connecticut Symphony Orchestra, The Salina Symphony, The Florida Orchestra, Orchestra of the Southern Finger Lakes, The Metropolitan Symphony Orchestra and The Portland Youth Philharmonic. In October 2021 Polina`s recent ballet “Reverse Perspective” was performed at the Pushkin State Museum of Fine Arts in Moscow and the Jaani Kirik in Saint-Petersburg. In March 2022 San Francisco Ballet premiered a new piece based on Polina`s composition “The Rising”, choreographed by Yuri Possokhov. In Spring 2022 MorDance premiered Polina`s new ballet “Encounters” at Symphony Space in New York City. Polina’s collaborators include internationally renowned choreographers Pascal Rioult, Jonah Bokaer, and Ulyana Bochernikova. Polina works closely with the world’s leading conductors, such as Osmo Vänskä, Teodor Currentzis, Fabio Mastrangelo, Sarah Hicks, Toshiyuki Shimada, Lawrence Loh, and Hannu Lintu. Polina’s compositions are actively performed by internationally acclaimed soloists such as trombonist R. Douglas Wright, violinist Elena Korzhenevich, and pianist Anton Nel. 

Polina earned her Masters’ and Artist Diploma in composition at the Yale School of Music with Christopher Theofanidis and Ezra Laderman. Currently, Polina is a Doctorate Candidate at The Graduate Center CUNY under the mentorship of Tania León. Many of Polina’s honors and awards include Charles Ives Scholarship from The American Academy of Arts and Letters and the Paul & Daisy Soros Fellowship for New Americans. Polina is an Adjunct Lecturer of Composition at Brooklyn College Conservatory and a Teaching Artist at the Educational Center for the Arts in New Haven. 

Josh Knowles (Composer) is a violinist, singer/songwriter, and composer based in Boston, MA. Formerly educated at Berklee College of Music, he brings an eclectic array of influences to his work. He has trained from the age of four as a classical violinist and is continually striving to fuse his traditional foundation with a myriad of contemporary styles. Knowles is also a musical artist and poet for Cirio Collective and Boston Ballet, with whom he has appeared on stage for historic runs at the Boston Opera House and the Lincoln Center in New York. He first collaborated with the Collective in 2015, and shortly after was asked to arrange the music and perform alongside violist Anna Stromer for Cirio Collective’s piece, “Efil Ym Fo Flah”, which premiered at the Vineyard Arts Project in the summer of 2016. He currently resides as a Community Luminary at the Isabella Stewart Gardner Museum, where he performs regularly. In February of 2018, Knowles released “Spin Without A Sound,” his debut album of instrumental solo electric violin pieces. Largely recorded live, each of the original compositions is built on loops and improvisations spawned entirely from sounds created by the violin, manipulated by multiple effect pedals. Riding the line somewhere between contemporary new age and alternative classical, the result is both symphonic and electronic, unique in its combination of melodic foundation and technical prowess. 

Becky Heisler McCarthy (Lighting Designer) is a New York City based lighting designer primarily in theater, dance, and opera settings. She aims to create striking pictures and experiences through nuance and subtlety. Her work has appeared in Las Vegas, Denver, The Spoleto Festival USA, Harrisburg, and across New York City. She began her artistic studies with the Pennsylvania Governor’s School while in high school, and holds a BFA in Technical Theater with an Emphasis in Lighting Design from Penn State University. Heisler has participated in the International Stage Design Students Works Exchange hosted by the Central Academy of Drama in Beijing and organized by OISTAT. In New York City, she was a part of the Wingspace Mentorship Program and was a member of the finalist team for Opera America’s Director/Designer showcase. This will be Becky’s sixth season with MorDance. 

Emily Cardea (Dancer) is elated to be making her debut with MorDance! Born and based in New York City and raised in a performing artist family, Cardea’s first introduction to the stage was as a child singer with the Metropolitan Opera. At age seven, she was accepted into the School of American Ballet where she trained for eight years. Cardea’s performing background also includes eight years of professional performance experience at Lincoln Center where she earned roles with both New York City Ballet and American Ballet Theatre, in ballets including Swan Lake, A Midsummer Night’s Dream, George Balanchine’s The Nutcracker, Coppelia and Le Corsaire. At age eighteen, she became a member of Orlando Ballet, where her repertoire included featured roles in The Nutcracker, Giselle, Carmen, A Midsummer Night’s Dream, Swan Lake, The Sleeping Beauty, and Peter and the Wolf. She has also performed and acted Off-Broadway, and in numerous dancing guest roles in both theater and television. Cardea has since developed her own voice as a choreographer, performing pieces with Cafe Telephone, an international artist collective. Most recently, Cardea made her directorial debut with her dance film “Dos” (2020) which was screened at the High Line Nine Galleries’ “Females in Film” Showcase in 2021. 

Claire van Bever (Dancer) is a New York based performer and teacher. Originally from Portland, OR she trained at the School of Oregon Ballet Theatre, The Rock School for Dance Education and the SUNY Purchase Conservatory of Dance. Claire started her career with American Repertory Ballet where she had the privilege of performing at City Center and Jacob’s Pillow, and dancing the works of Kirk Peterson, Patrick Corbin and Gerald Arpino. After moving to New York, Claire graduated summa cum laude from The New School with a BA in Liberal Arts and began freelancing in New York. She has worked with Jillian Peña, Robert Longbottom, Alice Gosti, and Neglia Ballet. She has had the honor of appearing on the World Tour of the Phantom of the Opera and is now thrilled to join MorDance. 

Lauren Treat (Dancer) is a dancer and freelance Artist in New York City and is thrilled to be joining MorDance for her first season! She has danced professionally with BalletMet Columbus, Milwaukee Ballet, Carolina Ballet, Charlotte Ballet, Connecticut Ballet, Lydia Johnson Dance, and as a Soloist Guest Artist for Neglia Ballet, American Circus Theater, and Artek Ballet. Additionally, she has performed at Sony Hall and for the NY Botanical Garden’s Holiday Show. Originally from upstate New York, Lauren majored in Dance at Walnut Hill School of the Arts in Natick, MA. Following training at local studios, she studied at Manhattan Youth Ballet, where she danced in both the school and Youth Company, in addition to attending summer intensives at The School of American Ballet, Miami City Ballet, The Washington School of Ballet, Joffrey Ballet Chicago, Ellison Ballet, Dmanagement, Ajkun Ballet Theater, and Saratoga Regent Ballet. Lauren also teaches dance to students of all ages in the greater New York area, and is a Movement and Play Educator at Union Square Play. 

David Hochberg (Dancer) is from New York, where he trained at Studio Maestro/Manhattan Youth Ballet under Francois Perron, Nadege Hottier, and Ellison Ballet under Edward Ellison. In 2012 David joined Sarasota Ballet under director Iain Webb. He then joined Nevada Ballet Theater in 2014, where he danced for five seasons under James Canfield and Roy Kaiser. Since returning to New York in 2019 he has worked as a freelance dancer for Movement Headquarters, The Chase Brock Experience, Guggenheim Works & Process, Graham Lustig at The Princeton Festival, XAOC Ballet, and Margo Sappington. 

Tevin Johnson (Dancer) is a Syracuse, New York native who began his training at 15. Johnson attended the Alvin Ailey’s Professional Division Summer Dance Intensive on a scholarship in 2013 and attended again in 2014. Here he had the opportunity to work with Christian Von Howard, Freddy Moore and Pedro Ruiz Jr. graduating Montclair State University with a BFA in dance; where he has been featured in works such as “Running Spirits” and “Wild and Free” (Draft5) by Fredrick Earl Mosley, Larry Keigwin, Christian Von Howard, Stacey Tookey and Camille A. Brown. He soon joined “Roxey Contemporary Ballet” company in New Jersey for two seasons and worked alongside their outreach programs. In 2020, Tevin became adjunct faculty for ‘City College of Manhattan’ theater department, while teaching at various studios in New Jersey. Since the pandemic, he has been teaching in New Jersey as well as joined a few video projects and companies such as ‘Creative Outlet’ by Jamel Gaines and ‘Mckoy Dance Project’ by Derek Mckoy. Tevin is thrilled to be joining MorDance this season. 

Joe LaLuzerne (Dancer) is a dance artist originally from Brooklyn Park, Minnesota. Joe graduated from Texas Christian University in the Spring of 2021 where they obtained a BFA in Ballet and a BA in Political Science. After the completion of his undergraduate studies Joe attended Milano Contemporary Ballet’s International Training Program in Milan, Italy. He joined the TU Dance Project in St. Paul, Minnesota with choreographer Marcus Jarrell Willis, in the evening length work entitled “Sensible Existence.” Joe has also danced at Jacob’s Pillow Contemporary Ballet Program (Beckett, MA) under the direction of Annabelle Lopez Ochoa, Orsolina 28 (Moncalvo, Italy) with choreographers Juliano Nunes and FLOCKWORKS, taken b12 workshops (Berlin, Germany) with Laja Field and Alessandro Marzotto, as well as attended Springboard Danse Montréal performing in works by Crystal Pite, and Carlos Kerr. Most recently, Joe has moved to New York to continue his professional dance journey and is excited to join MorDance for their Spring season.

Dustin James (Dancer) Dustin James was born in New Orleans and grew up in Houston, TX. He received his training from the High School for the Performing Arts and Vusual Arts and Houston Ballet where he was a member of Houston Ballet II. He has performed professionally with Dance Theater of Harlem, Sumin Ballet, BalletMet Columbus, Sierra Nevada Ballet, and Midland Festival Ballet. James’ repertoire includes works by Anabelle Lopez Ochoa, Darrell Grand Moultrie, Michael Smuin, Stanton Welch, Jiri Killian, Helen Pickett, Dwight Rhoden, Ma Cong, Ulysses Dove, David Nixon, and Robert Garland. He is excited to be joining MorDance for the 10th Anniversary Season.

About MorDance

MorDance is a trailblazing, women-led ballet company striving to innovate, elevate, and diversify the ballet landscape to convey a true reflection of our contemporary world. Over the past decade, we have embodied our mission to break free of ballet’s historically homogenous structures by creating groundbreaking original works, centering underrepresented voices and narratives, and leading workshops for thousands of students in under-resourced communities across New York City. With a firm belief that world-class ballet should be available to audiences of all backgrounds, we work to break down barriers of social, movement-based, and gender-based inequalities in dance to cultivate empowered environments for artistic expression.

Over nine seasons, MorDance has produced and staged over twenty original ballets at prominent New York venues including Battery Dance Festival, Dance at Socrates, Counterpointe Project, and Sounds of the City. MorDance is a proud recipient of funding from Lower Manhattan Cultural Council, CUNY Dance Initiative, New York State Council On The Arts, The NEA, and the Joan and Charles Gross Family Foundation, among others. MorDance has held residencies at the Silo at Kirkland Farm, Mana Contemporary, Kaatsbaan Upstream, and Vineyard Art Projects; and was named resident dance company of the Sheen Center in 2016.

Our tenth anniversary season in 2023 will epitomize the breadth of our commitment to furthering accessibility, diversity, and creativity in the field of ballet. MorDance creates work that challenges ballet’s fraught legacies and navigates complex contemporary issues surrounding race, gender, and the environment through the universal language of the body. This season’s repertoire will transform themes of activism and humanity into captivating movement as we strive to inspire audiences to embrace more civic engagement, empathy, and social responsibility.

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