Photo © Shervin Lainez

Leading NYC cultural institution welcomes audiences to 22/23 Tisch Music Season

The 92nd Street Y, New York (92NY), one of New York’s leading cultural venues, presents Caroline Shaw, vocals & Sō Percussion: Let the Soil Play Its Simple Part, with special guests Bora Yoon and Iarla Ó Lionáird, vocals, on February 4, 2023 at 7:30pm ET at the Kaufmann Concert Hall. The concert will also be available for viewing online for 72 hours from time of broadcast. Tickets for both the in-person and livestream options start at $25 and are available at 92ny.org/event/caroline-shaw-and-so-percussion..

Composer Caroline Shaw and Sō Percussion make their only NYC appearance together this season. Their program draws from their Nonesuch recording project, Let the Soil Play Its Simple Part, with original songs and lyrics inspired by and reflecting the artists’ broad span of interests: James Joyce, a poem by Anne Carson, the Sacred Harp hymn book, American roots music, and more. The program will also feature two compositions by members of Sō: Eric Cha-Beach’s Four + Nine, in which he uses four metal pipes to explore everything that can be done with those two numbers combined, multiplied, and divided in every possible way, and Jason Treuting’s Go Placidly With Haste, which will feature Irish sean-nós singer and producer Iarla Ó Lionáird (The Gloaming). Additionally, Bora Yoon will appear onstage to share her new work the wonder that’s keeping the stars apart, in which she sings and plays viola, accompanied by Sō on the typewriter, bike bells, walkie talkie, jewelry boxes, bible pages, and more.

Program:

Eric Cha-Beach, Four + Nine

Jason Treuting, Go Placidly With Haste

Bora Yoon, the wonder that’s keeping the stars apart

Sō Percussion and Caroline Shaw, Let the Soil Play Its Simple Part

To the Sky

The Flood is Following Me

Let the Soil Play Its Simple Part

Long Ago We Counted

A Gradual Dazzle

Lay All Your Love

Cast the Bells in Sand

Some Bright Morning

A Veil Awave Upon the Waves

Other Song

“Let the Soil Play Its Simple Part is … (a) glorious, genre-defying disc by turns poignant, celebratory, complex and direct…Beautifully performed and expertly produced, this is music-making at its most vital, expressive and imaginative.” – BBC Music Magazine

About the Artists

Caroline Shaw is a musician who moves among roles, genres, and mediums, trying to imagine a world of sound that has never been heard before but has always existed. She works often in collaboration with others, as producer, composer, violinist, and vocalist. Caroline is the recipient of the 2013 Pulitzer Prize in Music, several Grammy awards, an honorary doctorate from Yale, and a Thomas J. Watson Fellowship. This year’s projects include the score to “Fleishman is in Trouble” (FX/Hulu), vocal work with Rosalía (MOTOMAMI), the score to Josephine Decker’s “The Sky Is Everywhere” (A24/Apple), music for the National Theatre’s production of “The Crucible” (dir. Lyndsey Turner), Justin Peck’s “Partita” with NY City Ballet, a new stage work “LIFE” (Gandini Juggling/Merce Cunningham Trust), the premiere of “Microfictions Vol. 3” for NY Philharmonic and Roomful of Teeth, a live orchestral score for Wu Tsang’s silent film “Moby Dick” co-composed with Andrew Yee, two albums on Nonesuch (“Evergreen” and “The Blue Hour”), the score for Helen Simoneau’s dance work “Delicate Power”, tours of Graveyards & Gardens (co-created immersive theatrical work with Vanessa Goodman), and tours with So Percussion featuring songs from “Let The Soil Play Its Simple Part” (Nonesuch), amid occasional chamber music appearances as violist (Chamber Music Society of Minnesota, La Jolla Music Society). Caroline has written over 100 works in the last decade, for Anne Sofie von Otter, Davóne Tines, Yo Yo Ma, Renée Fleming, Dawn Upshaw, LA Phil, Philharmonia Baroque, Seattle Symphony, Cincinnati Symphony, Aizuri Quartet, The Crossing, Dover Quartet, Calidore Quartet, Brooklyn Rider, Miro Quartet, I Giardini, Ars Nova Copenhagen, Ariadne Greif, Brooklyn Youth Chorus, Britt Festival, and the Vail Dance Festival. She has contributed production to albums by Rosalía, Woodkid, and Nas. Her work as vocalist or composer has appeared in several films, tv series, and podcasts including The Humans, “Bombshell,” “Yellowjackets,” “Maid,” “Dark,” Beyonce’s HomecomingTárDolly Parton’s America, and More Perfect. Her favorite color is yellow, and her favorite smell is rosemary.

Sō Percussion is: Eric Cha-Beach, Josh Quillen, Adam Sliwinski, and Jason Treuting. For twenty years and counting, Sō has redefined chamber music for the 21st century through an “exhilarating blend of precision and anarchy, rigor and bedlam” (The New Yorker). They are celebrated by audiences and presenters for a dazzling range of work: for live performances in which “telepathic powers of communication” (The New York Times) bring to life the vibrant percussion repertoire; for an extravagant array of collaborations in classical music, pop, indie rock, contemporary dance, and theater; and for their work in education and community, creating opportunities and platforms for music and artists that explore the immense possibility of art in our time.

Recent highlights have included performances at the Elbphilharmonie, Big Ears 2022 – where they performed Amid the Noise, premiered a new work by Angélica Negrón with the Kronos Quartet, and performed their Nonesuch album with Caroline Shaw, Let the Soil Play Its Simple Part – and a return to Carnegie Hall where they performed new collaborations with Nathalie Joachim, and Dominic Shodekeh Talifero. Their Nonesuch recording, Narrow Sea, with Caroline Shaw, Dawn Upshaw, and Gilbert Kalish, won the 2022 Grammy for Best Composition. Other albums include A Record Of.. on Brassland Music with Buke and Gase, and an acclaimed version of Julius Eastman’s Stay On It on new imprint Sō Percussion Editions. This adds to a catalogue of more than twenty-five albums featuring landmark recordings of works by David Lang, Steve Reich, Steve Mackey, and many more.

In the Summer of 2022, Sō performs at the Music Academy of the West Festival, Newport Classical, at Time Spans in New York, and offers four concerts at Our Festival in Helsinki – including a performance of Let the Soil with Caroline Shaw. Other 22/23 dates include concerts for Cal Performances, at the Palau de la Musica Catalana in Barcelona, at the Barbican in London, the Kennedy Center, and at University of North Carolina, Chapel Hill.

In Fall 2022, Sō Percussion begins its ninth year as the Edward T. Cone performers-in-residence at Princeton University. Rooted in the belief that music is an elemental form of human communication, and galvanized by forces for social change in recent years, Sō enthusiastically pursues a range of social and community outreach through their nonprofit organization, including partnerships with local ensembles including Pan in Motion and Castle of Our Skins; their Brooklyn Bound concert series; a studio residency program in Brooklyn; and the Sō Percussion Summer Institute, an intensive two-week chamber music seminar for percussionists and composers.

2022/23 TISCH MUSIC SEASON

In this first season curated by 92NY’s new Vice President of Tisch Music Amy Lam, the season features 39 events, more than 20 92NY debuts, 31 premieres, and four 92NY commissions. The 22/23 season includes premieres of Joseph Schwantner’s guitar quintet Song of a Dreaming Sparrow, a song cycle by Anthony Cheung, and works by Laurie Anderson, Timo Andres, Marcos Balter, Christopher Cerrone, Nicholas DiBerardinoReena Esmailinti figgis-vizuetaJohn GloverTed HearneFred Hersch, Stephen Hough, Jimmy López, Missy Mazzoli, Nico MuhlyAngélica Negrón, Mary Prescott, Caroline ShawSarah Kirkland SniderDarian Donovan ThomasScott WollschlegerPamela Z, and more.

Select Highlights:

  • This season marks the first time 92NY is presenting a fully integrated concert season across genres, including performances by Kate BaldwinJoshua BellRegina Carter, Angela Hewitt, Larisa Martinez, Branford Marsalis, Kelli O’HaraEric Owens, Pepe RomeroCaroline Shaw, Sir András SchiffDaniil Trifonov, and Jessica Vosk.
  • The World Premiere of a 92NY-commissioned piece from composer Jimmy López, performed by J’Nai Bridges and the Catalyst Quartet.
  • The New York premiere of Difficult Grace by cellist Seth Parker Woods and dancer Roderick George, presented in collaboration with Harkness Dance Center.
  • An in-depth two-day Julius Eastman retrospective featuring LA-based music collective Wild Up in three concerts, as well as exhibits, and panel discussions with Eastman friends and scholars examining the life of one of the 20th century’s most iconoclastic voices.
  • The Bach Collegium Japan, conducted by Masaaki Suzuki with baritone Roderick Williams
  • 92NY’s signature series exploring the American songbook, Lyrics and Lyricists, continues to explore the best of Broadway, while also highlighting significant contributions to American culture by singer-songwriters across a variety of musical genres such as Marvin Gaye, Joni Mitchell, Nina Simone, the Mamas and the Papas, and more.
  • Two performances as part of an ongoing partnerships with The Curtis Institute of Music.
  • Jazz, which has been a staple of 92NY’s Tisch season since Thelonius Monk and Charles Mingus took to the stage in 1955, will be performed by world-class musicians like Branford Marsalis, Fred Hersch, and Regina Carter not just within the renowned Jazz in July series, but throughout the year.

About The 92nd Street Y, New York: The 92nd Street Y, New York (92NY) is a world-class center for the arts and innovation, a convener of ideas, and an incubator for creativity. 92NY offers extensive classes, courses and events online including live concerts, talks and master classes; fitness classes for all ages; 250+ art classes, and parenting workshops for new moms and dads. The 92nd Street Y, New York is transforming the way people share ideas and translate them into action all over the world. All of 92NY’s programming is built on a foundation of Jewish values, including the capacity of civil dialogue to change minds; the potential of education and the arts to change lives; and a commitment to welcoming and serving people of all ages, races, religions, and ethnicities. For more information, visit www.92NY.org