Les Goddesses. 2011. USA. Directed by Moyra Davey. Courtesy the artist and Galerie Buchholz, Berlin/Cologne/New York

September 23, 2022 – October 10, 2022

The Museum of Modern Art

Over the past 15 years, Moyra Davey has made films weaving together personal and literary histories, but her body of work is often more disarming than diaristic. Guided by a wondrous formal attention to overlooked details and generative happenstance, Davey’s distinctive style of montage and narration is inscribed in a larger interplay between photography, filmmaking, and writing that has guided her practice going back to the 1990s. Whether addressing family life, psychoanalysis, art history, or political subjects, her rigorous but free-spirited approach elides genre and models new paths to figuration, representation, and narrative. Davey’s filmic world revels in the spaces between distinct frames of reference: between private and public life; past and present; still and moving images; vérité and mise-en-scène; intimacy and transgression; introspection and voracious dialogue with fellow artists and thinkers.

This mid-career survey offers a special opportunity to experience 11 of Davey’s feature, mid-length, and short films together for the first time. In a collective context, the vitality of their reflections on contemporary life—as an artist, woman, and mother—resonate deeply. Featuring the New York premieres of two of Davey’s latest films, the series also includes work by cinematic auteurs chosen by Davey in a nod to the citational strategies present throughout her practice. Moyra Davey unfolds as a series of conversations: between her films, in the repertory pairings envisioned by the artist, and in onstage conversations with special guests.

Organized by Sophie Cavoulacos, Associate Curator, Department of Film.

Film at MoMA is made possible by CHANEL.

Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by Debra and Leon D. Black and by Steven Tisch, with major contributions from The Contemporary Arts Council of The Museum of Modern Art, Jo Carole and Ronald S. Lauder, MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, the Association of Independent Commercial Producers (AICP), The Junior Associates of The Museum of Modern Art, the Samuel I. Newhouse Foundation, Karen and Gary Winnick, and The Brown Foundation, Inc., of Houston.

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