Installation view, Gillian Wearing: Wearing Masks, Solomon R. Guggenheim Museum, November 5, 2021–April 4, 2022. Photo: David Heald © Solomon R. Guggenheim Foundation, 2021.

First North American Retrospective of Gillian Wearing Features Photography, Video, Sculpture, and Paintings That Explore Performative Nature of Identity

Exhibition: Gillian Wearing: Wearing Masks
Venue: Solomon R. Guggenheim Museum, 1071 Fifth Avenue, New York
Location: Tower Levels 2, 4, 5, 7 and New Media Theater
Dates: November 5, 2021–April 4, 2022

From November 5, 2021 through April 4, 2022, the Solomon R. Guggenheim Museum presents Gillian Wearing: Wearing Masks, the first retrospective of Wearing’s work in North America. Featuring more than a hundred pieces, the exhibition traces the development of the British conceptual artist’s practice from her earliest photographs and videos to her latest paintings and sculptures, all of which explore the performative nature of identity.

Gillian Wearing: Wearing Masks is organized by Jennifer Blessing, Senior Curator, Photography, and Nat Trotman, Curator, Performance and Media, with X Zhu-Nowell, Assistant Curator, and Ksenia Soboleva, Marica and Jan Vilcek Curatorial Fellow.

Gillian Wearing’s profoundly empathetic and psychologically intense photographs, videos, sculptures, and paintings probe the tensions between self and society in an increasingly media-saturated world. Over her three-decade career, Wearing has focused equally on her own self-portraiture and on the depictions of others, testing the boundaries between the private and public, questioning fixed notions of identity, and frequently anticipating the cultural transformations wrought by social media. Throughout her works, masks serve as both literal props and metaphors for the performances each of us stage every day as individuals and as citizens.

For her landmark piece Signs that say what you want them to say and not Signs that say what someone else wants you to say (1992–93), Wearing photographed strangers holding placards with messages they wrote themselves. In so doing, she changed the terms of documentary street photography and performance art by giving voice to the subjects of her images. This series established Wearing’s long-standing practice of engaging the public through classified ads, casting calls, or direct solicitation on the street in order to create platforms where people’s often very personal stories could be shared with a wider audience.

Wearing has also repeatedly turned the camera on herself to examine the ways one’s sense of self is established within familial, social, and historical contexts, especially in the aftermath of traumatic experience. Through her extensive interrogation of the self-portrait, she has pointedly expanded on Andy Warhol’s notion that “everyone will be world-famous for 15 minutes,” predicting the rise of selfie culture. In addition to performing versions of herself, she has engaged with images of people who are closely connected to her identity as a person and as an artist. In her photographic series Spiritual Family (2008–present), for instance, she employs silicon prosthetics, wigs, and lighting to disguise herself as pivotal figures from art history who have been foundational influences on her practice. Wearing Masks will feature the first comprehensive presentation of this series, including numerous examples that have never been shown in a museum setting.

In recent years Wearing has incorporated digital technologies into her photography and video while also extending her practice to the mediums of painting, collage, and sculpture. Wearing, Gillian (2018), a short video produced in collaboration with the global advertising agency Wieden + Kennedy, revolves around an apparently candid statement of artistic purpose, delivered by actors whose faces have been digitally morphed with Wearing’s. Lockdown (2020), a series of paintings made in response to the COVID-19 pandemic, and My Charms (2021), a sculptural self-portrait in the form of a gigantic charm bracelet, expand on Wearing’s enduring investigation into the complex tensions between authentic self-revelation and deception. These new pieces will make their museum debut at the Guggenheim.

Installed throughout all four of the museum’s Tower galleries and including screenings of Wearing’s work in the New Media Theater, Gillian Wearing: Wearing Masks is accompanied by a richly illustrated, 192-page monograph that will survey the artist’s three-decade career with a particular focus on her work of the last ten years. The exhibition will also coincide with a new sculptural tribute to photographer Diane Arbus by Wearing, opening on October 20, 2021 at Doris C. Freedman Plaza, Central Park, organized by Public Art Fund.

Program

Saturday, November 6, 4 pm
Film Screening: Self Made (2010) by Gillian Wearing

Like many of her other works, Self Made, Wearing’s first feature-length film, began with an open call for participants, which asked, “Would you like to be in a film? You can play yourself or a fictional character. Call Gillian.” From auditions, Wearing chose seven amateurs who trained in the Method acting technique, resurfacing painful memories in preparation for individual “end scenes” produced by a full film crew. Self Made deftly weaves observational documentary footage of group exercises with one-on-one interviews shot before, during, and after the process; behind-the-scenes footage of the short films being made; and of course, the fictionalized scenarios themselves. As it ultimately loops back on its own opening sequence, though, the lines between actor and character, fiction and reality, become unclear.

This screening will take place in the Peter B. Lewis Theater on the lower level of the museum and is offered free with admission. An introduction will be provided by Nat Trotman, Curator of Media and Performance.

This program is part of Saturday on the House.

Self Made, 2010
Color film, with sound, 84 min.
A Fly Film Production, in association with Third Films, supported by the UK Film Council and Northern Film & Media, in association with Arts Council England, Channel 4 Britdoc Foundation, and Abandon Normal Devices. Distributed by Cornerhouse Artist Film and Produced by Lisa Marie Russo.

Funders

Major support for Gillian Wearing: Wearing Masks is provided by the Edlis-Neeson Foundation, Alessandra and Alan Mnuchin, Ted Pappendick and Erica Gervais, Carla Emil and Rich Silverstein, Naomi Milgrom, and Maureen Paley. Additional support is provided by Zabludowicz Collection in collaboration with Tamares Real Estate Holdings Inc., Tanya Bonakdar Gallery, Angelo K H Chan and Frederick Wertheim, Joseph M. Cohen Family Collection, Ann Cook and Charles Moss, Nion McEvoy and Leslie Berriman, Lauren and Scott Pinkus, Regen Projects, John L. Thomson, Cristina von Bargen and Jonathan McHardy, Robert E. Meyerhoff and Rheda Becker, and Ann and Mel Schaffer.

Funding is also generously provided by the Juliet Lea Hillman Simonds Foundation.

Support is also provided by the National Endowment for the Arts.

Additional funding is provided by the Solomon R. Guggenheim Museum’s Photography Council.

About the Artist

Gillian Wearing (b. 1963, Birmingham, U.K.) graduated from Goldsmiths College in 1990 and was awarded the Turner Prize in 1997. Solo exhibitions of her work have been organized by Le Consortium, Dijon, France (1996); Centre d’Art Contemporain, Geneva (1998); Serpentine Gallery, London (2000); Musée d’Art Moderne de la Ville de Paris (2001); Sala de Exposiciones de la Fundación “la Caixa,” Madrid (2001); Museum of Contemporary Art, Chicago (2002); Galleria Civica de Arte Contemporanea, Trento, Italy (2007); Whitechapel Gallery, London (2012); and IVAM, Valencia (2015); among many others. Recent exhibitions include Gillian Wearing and Claude Cahun at the National Portrait Gallery, London (2017); Gillian Wearing: Family Stories at SMK, Copenhagen (2017); and Life: Gillian Wearing at the Cincinnati Art Museum (2018). In 2018 the Mayor of London commissioned Wearing to create a public monument to Dame Millicent Fawcett, the first sculpture depicting a woman and the first created by a woman in London’s Parliament Square. Wearing lives and works in London.

About the Solomon R. Guggenheim Foundation

The Solomon R. Guggenheim Foundation was established in 1937 and is dedicated to promoting the understanding and appreciation of modern and contemporary art through exhibitions, education programs, research initiatives, and publications. The international constellation of museums includes the Solomon R. Guggenheim Museum, New York; the Peggy Guggenheim Collection, Venice; the Guggenheim Museum Bilbao; and the future Guggenheim Abu Dhabi. An architectural icon and “temple of spirit” where radical art and architecture meet, the Solomon R. Guggenheim Museum is now among a group of eight Frank Lloyd Wright structures in the United States recently designated as a UNESCO World Heritage site. To learn more about the museum and the Guggenheim’s activities around the world, visit guggenheim.org.

Visitor Information

Admission: Adults $25, students/seniors (65+) $18, members and children under 12 free. Open Thursdays through Mondays from 11 am to 6 pm. Pay What You Wish hours are Saturdays from 4 to 6 pm, with free admission on Saturday on the House, offered once each month. Timed tickets are required and available at guggenheim.org/tickets. Explore the Guggenheim with our free Digital Guide, a part of the Bloomberg Connects app. Find it in the Apple App Store or in the Google Play Store.

The Guggenheim is implementing health and safety measures in consideration of visitors and employees and in compliance with New York State and City guidelines. Face masks are mandatory inside the museum for anyone over the age of two. New requirements should be reviewed in advance of a visit; they are posted on COVID-19 Safety Measures: What to Expect When Visiting.