Vector Architects, Alila Yangshuo Hotel, Yangshuo, Guilin, Guangxi, China, 2013–2017. Photograph by Shengliang Su (MoMA 295.2020.2)

Exhibition Will Feature Eight Projects by a New Generation of Chinese Architects That Rethink Existing Definitions of Social, Cultural, andEnvironmental Sustainability

The Museum of Modern Art announces Reuse, Renew, Recycle: Recent Architecture from China, an exhibition highlighting a new generation of Chinese architects and their commitment to social and environmental sustainability. On view from September 18, 2021, through July 4, 2022, in the street-level galleries, the exhibition will present eight projects that speak to a multiplicity of architectural methodologies—ranging, from the adaptive reuse of former industrial buildings, the recycling of building materials, and the reinterpretation of ancient construction techniques, to the economic rejuvenation of rural villages or entire regions through non-invasive architectural insertions. Anchoring the exhibition will be projects by Pritzker Prize–winning Amateur Architecture Studio (Wang Shu and Lu Wenyu), Archi-Union Architects (Philip F. Yuan), Atelier Deshaus (Liu Yichun and Chen Yifeng), DnA_Design and Architecture (Xu Tiantian), Studio Zhu Pei (Zhu Pei), Vector Architects (Dong Gong), and Aga Khan Award laureate ZAO/standardarchitecture (Zhang Ke). Developed following a four-year research initiative, which has included extensive conversations with the architects and numerous site visits to all the projects presented, the exhibition will include models, drawings, photographs, videos, and architectural mock-ups drawn from a recent acquisition of some 160 works of Chinese contemporary architecture. Reuse, Renew, Recycle: Recent Architecture from China is organized by Martino Stierli, The Philip Johnson Chief Curator of Architecture and Design, and Evangelos Kotsioris, Curatorial Assistant, Department of Architecture and Design. Curatorial advice was provided by Prof. Li Xiangning of Tongji University, Shanghai.

China’s economic and societal transformation of the past three decades has been accompanied by a building boom that made the country the largest construction site in human history. After years of focusing on urban megaprojects and spectacular architectural objects, many of which were designed by Western architects, a rethinking has begun by a younger generation of architects who are working independently from state-run design institutes. Collectively, these architects share an approach to the design of the built environment that is marked by a general skepticism of the tabula rasa approach that has transformed the fabric of the country’s cities and changed the everyday lives of millions. Instead, many members of this generation are invested in relatively small-scale interventions that seek to meaningfully engage with the preexisting built environment and established social structures. Many of these projects have occurred outside the traditional population centers and megacities, and have resulted in a revival of China’s secondary cities and rural regions.

The architects and projects featured in Reuse, Renew, Recycle exemplify what it means to build in China today and explore how modern architecture can be firmly grounded in the country’s unique cultural context. From the vaulted ceilings of the Jingdezhen Imperial Kiln Museum in Jiangxi, to an open-air Bamboo theatre in the Hengkeng Village, to a former sugar factory turned into a hotel near Guilin, the exhibition will examine careful yet decisive interventions that serve as a progressive blueprint for a less extractive, more resourceconscious future for architectural practice at large.

SPONSORSHIP:

The exhibition is made possible by Allianz, MoMA’s partner for design and innovation.

Leadership support is provided by Xin Zhang and Shiyi Pan.

Additional funding is provided by The International Council of The Museum of Modern Art.

Leadership contributions to the Annual Exhibition Fund, in support of the Museum’s collection and collection exhibitions, are generously provided by Jerry I. Speyer and Katherine G. Farley, the Sandra and Tony Tamer Exhibition Fund, The Contemporary Arts Council, Eva and Glenn Dubin, Alice and Tom Tisch, Mimi Haas, the Noel and Harriette Levine Endowment, The David Rockefeller Council, the William Randolph Hearst Endowment Fund, the Marella and Giovanni Agnelli Fund for Exhibitions, Anne Dias, Kathy and Richard S. Fuld, Jr., Kenneth C. Griffin, The International Council of The Museum of Modern Art, Marie-Josée and Henry R. Kravis, and Jo Carole and Ronald S. Lauder.

Major contributions to the Annual Exhibition Fund are provided by The Junior Associates of The Museum of Modern Art, Emily Rauh Pulitzer, Brett and Daniel Sundheim, the Terra Foundation for American Art, Karen and Gary Winnick, and Anna Marie and Robert F. Shapiro.